Cast: Anushka, Samrat, Pradeep Rawat, Nasser, Ali, Brahmanandam, Raghubabu, MS Narayana, Jeeva, Chandramohan, Telangana Shakuntala and Others.
Banner: Sairatna Creations.
Cinematography: Vasu.
Dialogues: Thota Prasad.
Editing: Marthand K. Venkatesh.
Music: Chinna.
Story: Madhu Vipparthi.
Presenter: Akkineni Nagarjuna.
Producer: Bommadevara Ramachandra Rao.
Screenplay & Director: V. Samudra.
Release Date: June 11, 2010
Anushka If Vedam is one film that Anushka can flaunt with pride, Panchakshari directed by Samudra would embarrass her. The story is stale and outdated and even a double role that she plays in it doesn't enthuse the audience.
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Honey is her name and she belongs to the family of Patels. She heads a garment business and is least interested in marriage. But on her family's insistence she picks up a photo from a studio that happens to be of Ravi Prakash, takes it home and says he's her boy friend. Ravi Prakash lands up at her home accidentally as a criminal, the family is puzzled.
The story moves to Panchakshari, who is born in the temple and the villagers revere her. Panchakshari dies and Honey steps into her place to unravel the murder mystery.
The tall Anushka is paired with Samrat who not only appears short but also looks far younger then her. While as Panchakshari Anushka is somewhat better, she projects bland expressions as Honey. There is no chemistry or bond that she shares with her family, every scene appears superfluous.
The Telangana dialect by Shakuntala is overbearing and humour is downcast. In one song the actress is shown as being sophisticated, doing yoga, jogging and suddenly she breaks into Telangana. Imagine Anushka dancing to choreographer Amma Rajashekar's composition, the 'mass' steps et al! While the second half of the film holds some attention, the rest retards the pace of the story, making you squirm on the seats.
Brahmanandam is damn irritating as a man in illusion that he is wooing Mitra Vinda who is a princess in waiting. The repetition of this comedy track based on Magadheera is an agonizing experience. Ravi Prakash is running, he's on a marathon throughout the film. Nasser plays Honey's father and some scenes are so very juvenile. He insists on every family member confessing their act on a Sunday at the dining table. The conversations and the drama therein evoke humour instead of creating a somber mood.
The film is substandard and the scripting, direction is lackluster. The music is below average and cinematography is strictly ordinary. Looks like with the dates of Anushka in hand, the filmmaker visualized a scope for a great story, an encore of Arundathi and Magadheera but delivered a disappointing fare. The run of the mill story nevertheless throws up one cinematic wonder..Anushka and Ravi Prakash are seen burning but none of them scream. They seem to enjoy the disappearing act from the film.
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