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Sunday, June 20, 2010

download the movie ravan and villan and its movie review


Raavan movie review: Raavan Movie is based on thousand years old epic Ramayana, and to some extent Mani Ratnam(Director) has been able to revise and depict modern Ramayana in exquisite and picturesque beautiful backgrounds. Beera as Raavan is the main leading role of a protagonist, who not only have a compelling role and image of itself but audience is more mesmerized by a suggesting connection between a villain and heroine and amazing backdrop.

Last week, Abhishek Bachchan reportedly told that it’s not a story about Ram but about Raavan, thus to be called as “Ravayana”. Abhishek Bachchan is playing the leading role of Beera, Beera is based on Raavan epic character from Ramayana. Beera is a highwayman





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who abducts Ragini played by Ashwarya Rai Bachchan to dense forest, and her husband who is a cop Dev Pratap Sharma played by Vikram is determined to catch Beera anyhow and rescue his wife. Beera had abducted cop’s wife Ragini just to revenge on his personal grudge.

The most interesting part of the story, which is also the part of climax is, when Ragini seems to have sensitive and silent build up bond with Beera, where she found her self in dilemma whether she should be a loyal dogmatic Indian wife or if she should pursue her suppressed fantasy? Whereas Beera is amused by Ragini beauty and find himself in love with her.

Meanwhile, Dev which is based on epic character Ram and Hanuman epic character is played by Govinda as a forest officer, both restlessly chases Beera. Though Beera is a highwayman, but he is also a local Robinhood and no one supports in locality for his imprisonment. Dev character is a movie hero but Beera’s stronger and compelling role overshadows latter.

Raavan movie plot is predictable and also acting is good enough but Mani Ratnam’s Raavan movie scores excellent on fanciful, fantastic and picturesque backgrounds. Waterfalls, slippery slopes, ferns-shrubs, and unending fog gives a sense of nostalgia with nature and audience are only left sighing watching these backgrounds in Raavan movie.

Raavan music and song routine, is not in actual sense a routine but a outstanding creation of Oscar-winning-duo AR Rehman and Gulzar. Beera-Beera and Behne De song numbers are instant hit in market. And this time again duo had hit the right tone with amazing concept, backdrop and marvelous composition of Raavan song and music.

Overall, Raavan movie is a must watch even for non-regular movie-goer and recommended with high rating.

Star Cast:
Abhishek Bachchan as Beera
Aishwarya Bachchan as Ragini
Vikram as Dev Pratap Sharma
Govinda as Forest officer

Story: Mani Ratnam
Music: AR Rehman
Lyrics: Gulzar
Director: Mani Ratnam

Tuesday, June 15, 2010

watch online movie panchakshari and movie review


Cast: Anushka, Samrat, Pradeep Rawat, Nasser, Ali, Brahmanandam, Raghubabu, MS Narayana, Jeeva, Chandramohan, Telangana Shakuntala and Others.
Banner: Sairatna Creations.
Cinematography: Vasu.
Dialogues: Thota Prasad.
Editing: Marthand K. Venkatesh.
Music: Chinna.
Story: Madhu Vipparthi.
Presenter: Akkineni Nagarjuna.
Producer: Bommadevara Ramachandra Rao.
Screenplay & Director: V. Samudra.
Release Date: June 11, 2010

Anushka If Vedam is one film that Anushka can flaunt with pride, Panchakshari directed by Samudra would embarrass her. The story is stale and outdated and even a double role that she plays in it doesn't enthuse the audience.



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Honey is her name and she belongs to the family of Patels. She heads a garment business and is least interested in marriage. But on her family's insistence she picks up a photo from a studio that happens to be of Ravi Prakash, takes it home and says he's her boy friend. Ravi Prakash lands up at her home accidentally as a criminal, the family is puzzled.

The story moves to Panchakshari, who is born in the temple and the villagers revere her. Panchakshari dies and Honey steps into her place to unravel the murder mystery.

The tall Anushka is paired with Samrat who not only appears short but also looks far younger then her. While as Panchakshari Anushka is somewhat better, she projects bland expressions as Honey. There is no chemistry or bond that she shares with her family, every scene appears superfluous.

The Telangana dialect by Shakuntala is overbearing and humour is downcast. In one song the actress is shown as being sophisticated, doing yoga, jogging and suddenly she breaks into Telangana. Imagine Anushka dancing to choreographer Amma Rajashekar's composition, the 'mass' steps et al! While the second half of the film holds some attention, the rest retards the pace of the story, making you squirm on the seats.

Brahmanandam is damn irritating as a man in illusion that he is wooing Mitra Vinda who is a princess in waiting. The repetition of this comedy track based on Magadheera is an agonizing experience. Ravi Prakash is running, he's on a marathon throughout the film. Nasser plays Honey's father and some scenes are so very juvenile. He insists on every family member confessing their act on a Sunday at the dining table. The conversations and the drama therein evoke humour instead of creating a somber mood.

The film is substandard and the scripting, direction is lackluster. The music is below average and cinematography is strictly ordinary. Looks like with the dates of Anushka in hand, the filmmaker visualized a scope for a great story, an encore of Arundathi and Magadheera but delivered a disappointing fare. The run of the mill story nevertheless throws up one cinematic wonder..Anushka and Ravi Prakash are seen burning but none of them scream. They seem to enjoy the disappearing act from the film.

download full movie of goolimaar and movie review


Cast: Gopichand, Priyamani, Roja, Nasser, Kelly Dorjee, Shawar Ali, MS Narayana, Jeeva and Others.
Banner: Sri Sai Ganesh Productions.
Action: Vijay.
Art: Chinna.
Cinematography: Shyam K. Naidu.
Editing: Marthand K. Venkatesh.
Music: Chakri.
Presenter: Bellamkonda Sai Srinivas.
Producer: Bellamkonda Suresh.
Story, Screenplay, Dialogues & Director: Puri Jagannath.
Release Date: May 27, 2010

Priyamani and Gopichand Telugu cinema had come up with many stories revolving around police either showing them in a condescending manner or eulogizing their achievements. Golimar gives a reason for the police department to take pride in their job and for others an opportunity to salute them. Puri Jagannath's latest film that has Gopichand playing the hero is supposed to be inspired by the achievements of Encounter Specialist Dayanayak.





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The film has Gopichand as Gangaram an orphan who joins as a child worker in a small restaurant, working in the mornings and studying late nights to become a police officer, his only dream, goal. He does and proves soon that the police is not meant to merely file FIRs in the police stations but have a larger role to play. The immediate task is to wipe out the offices run by two mafia dons Khalid and Talwa who have been operating for the past 15 years from Malaysia and India respectively. Though they are primarily extortionists they are into dark trade that is yet to be unraveled.

Gangaram makes his qualities visible that the first and foremost way to kill an opponent is to threaten and weaken them morally, hit them on the mind. Puri Jagan who's been on a lean patch strikes back with a cop story that has vague similarities with Pokiri. While the thrill element comes after interval in Pokiri, Puri here establishes the identity of the protagonist in the beginning itself and weaves the narrative interestingly without bringing in monotony.

In the latter part of the film, the story threatens to run on predictable lines but falls in place quickly with some more twists and turns coming up at the right time. Nasser who plays the hero's father in Pokiri throws up a surprise here. He lends an element of believability to both the roles with equal ease. Roja might have been unlucky in politics but her stint has definitely helped in portraying confidence, as a woman in command on screen in her second innings. She's given a stupendous performance in an emotionally charged role in the latter half of the story.

Priyamani gels well with her and the mother daughter duo prove to be an asset to the film. Thankfully the make up isn't bad and Priyamani trots in skimpily clad costumes on the beaches as well as acting as a bubbly woman with panache. Not revealing Ali most of the time has indeed helped.

It's not about Gangaram saying "Dhamki dhena padtha hai" always, when he is done with eliminating one local villain, he moves abroad to finish off the drama. But before there are interesting changes in his life. Had it been only wiping off the criminals, the film would have been incomplete, so the director adds another angle to him. The hero turns into a gangster, extortionist and appears like Suri to give an exclusive to the media which precipitates the movement of the story.

The love angle is not awkward, songs and dances are in total sync, the songs rock and Priyamani is all gay abandon..freaking out on her jigs and work the spirit spills onto the screen. All the songs might sound mediocre while listening, but onscreen they are very good. The cop who doesn't believe in payments only settlements, stays away from women fyi falls for the girl and all's well that ends well. The humour is subtle nothing over the top whether it's Roja pulling her daughter away from the cop's arms and telling her to weep over her shoulders or Gangaram giving gyan to the shot don, "Padhi mandhini mosam cheste nuvvu baagupadthaav kaani ninnu nuvvu mosam chesukunte sankanaakipothaav."

A theenmaar to Golimar..Gopichand stands tall here not because of his height but for giving a thoroughly entertaining performance.

Monday, June 7, 2010

Green Lantern






In a universe as vast as it is mysterious, a small but powerful force has existed for centuries. Protectors of peace and justice, they are called the Green Lantern Corps. A brotherhood of warriors sworn to keep intergalactic order, each Green Lantern wears a ring that grants him superpowers. But when a new enemy called Parallax threatens to destroy the balance of power in the Universe, their fate and the fate of Earth lie in the hands of their newest recruit, the first human ever selected: Hal Jordan.

Hal is a gifted and cocky test pilot, but the Green Lanterns have little respect for humans, who have never harnessed the infinite powers of the ring before. But Hal is clearly the missing piece to the puzzle, and along with his determination and willpower, he has one thing no member of the Corps has ever had: humanity. With the encouragement of fellow pilot and childhood sweetheart Carol Ferris (Blake Lively), if Hal can quickly master his new powers and find the courage to overcome his fears, he may prove to be not only the key to defeating Parallax…he will become the greatest Green Lantern of all

Director: Martin Campbell
Cast: Ryan Reynolds, Blake Lively, Peter Sargaard

Predators






“PREDATORS, a bold new chapter in the Predator universe, shot under the creative auspices of Robert Rodriguez, stars Adrien Brody as Royce, a mercenary who reluctantly leads a group of elite warriors who come to realize they’ve been brought together on an alien planet… as prey.

With the notable exception of a disgraced physician, they are all cold-blooded killers – mercenaries, Yakuza, convicts, death squad members – human “predators” that are now being systemically hunted and eliminated by a new breed of alien Predators.”

Director: Nimrod Antal
Cast: Adrien Brody

X-Men First Class





For millions of years, mankind's place on Earth was unchallenged – until five young people paved the way for a new kind of human. While students at the Xavier School for Gifted Youngsters, Cyclops, Marvel Girl, Angel, Beast and Iceman taught the world what it meant to be X-Men. These are the hidden stories of the team that laid the foundation of a mutant dynasty!

Director: Matthew Vaughn
Cast:

Priest




The vampire Western concerns a warrior priest who disobeys church law by teaming with a young sheriff and a priestess to track down a band of renegade vampires who have kidnapped his niece.

Director: Andrew Douglas
Cast: Gerard Butler, Steven Strait

Spider Man 4





Peter Parker now faces a more greater threat. After a man is accidentally killed in an electrical power outage; a mass murderer has bonded with a symbiote. Thus wreaking havoc as Peter faces this red rampage, as well as an electrifying madman.

Director: Sam Raimi
Cast: Tobey Maguire

Resident Evil: Afterlife


In a world ravaged by a virus infection, turning its victims into the Undead, Alice continues on her journey to find survivors and lead them to safety. Her deadly battle with the Umbrella Corporation reaches new heights, but Alice gets some unexpected help from an old friend.

A new lead that promises a safe haven from the Undead leads them to Los Angeles, but when they arrive the city is overrun by thousands of Undead and Alice and her comrades are about to step into a deadly trap.

Director: Paul WS Anderson
Cast: Milla Jovovich, Ali Larter, Spencer Locke, Wentworth Miller, Shawn Roberts, Boris Kodjoe, Kim Coates, Norman Yeung, Kasey Barnfield

SALT (2010)





Angelina Jolie stars in Columbia Pictures' Salt, a contemporary espionage thriller. Before becoming a CIA officer, Evelyn Salt (Jolie) swore an oath to duty, honor, and country.

She will prove loyal to these when a defector accuses her of being a Russian sleeper spy. Salt goes on the run, using all her skills and years of experience as a covert operative to elude capture, protect her husband, and stay one step ahead of her colleagues at the CIA.

Director: Phillip Noyce
Cast: Angelina Jolie, Liev Schreiber

The Twilight Saga: Eclipse


In ECLIPSE, Bella once again finds herself surrounded by danger as Seattle is ravaged by a string of mysterious killings and a malicious vampire continues her quest for revenge.

In the midst of it all, she is forced to choose between her love for Edward and her friendship with Jacob — knowing that her decision has the potential to ignite the ageless struggle between vampire and werewolf. With her graduation quickly approaching, Bella is confronted with the most important decision of her life.

Director: David Slade
Cast: Robert Pattinson

download the movie CLASH OF TITANS and movie review


Have you ever seen a five year old kid play with action figures? He’ll walk his tiny muscle-bound heroes across a tabletop or floor until they stop and fight, which usually consists of the kid smashing his toys together in imaginary combat. Walk walk walk, smash smash smash, repeat. Louis Leterrier’s remake of Clash of the Titans is like watching what goes on in that kid’s head. Stiff two-dimensional characters walk from set piece to set piece where they fight ever bigger and meaner monsters. Walk walk walk, smash smash smash, repeat.



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Sam Worthington stars, and coming off his roles in Terminator Salvation and Avatar, it may now be safe to assume that Worthington is Hollywood’s new go-to action hero. If you’re looking to have something punched, stabbed, or blown up, he’s probably your guy. As Perseus, the demigod son of Zeus, Worthington is pure grit and machismo, going from fisherman to action hero in less time than it’ll take you to read this review.

The story takes place in the troubled land of ancient Greece. Liam Neeson plays Zeus (aka SparkleTron9000) who rules humanity from his throne on Mount Olympus, but mankind is getting tired of putting up with the gods’ crap. Apparently the problem with being an omnipotent overlord is that everything becomes your fault. Zeus, in his attempt to win back humanity’s love, listens to his brother Hades (who resembles a magical nightmare hobo) played by Ralph Fiennes. Hades informs the rulers of Argos that unless they clean up their act and sacrifice the princess, he’s going to let the Kraken play hopscotch on their city. Perseus has nine days to defeat the Kraken and end the tyranny of the gods.

Despite having an incredibly over-simplified plot (walk walk walk, smash smash smash) Clash of the Titans actually sports a rather coherent, if troubling, subtext. The gods, consistently associated with the bald eagle, have grown comfortable in their role as global superpowers. They sit in their palace of luxury allowing the rest of the world to scrape by, assuming their dominance isn’t threatened. As mortals begin to resent the gods more and more though, Zeus takes some bad advice from Hades (military-industrial complex), the ugly brother that he’s usually content to ignore so long as he does his job and stays out of the spotlight. Perseus and company are out to show the gods that they won’t be pushed around anymore. This becomes especially troubling when Perseus’ ally, the mystical turbaned Djin, self-destructs in his righteous fight against the bald-eagle-toting gods’ global tyranny.

So the bad news is that Louis Leterrier has butchered a classic film into mind numbing action garbage that stops just short of encouraging terrorism. The good news is that the action scenes are pretty cool, the 3D is really pretty (it’s not even worth seeing in 2D), and no one’s likely to pay any attention to the subtext in a movie this bad anyway.

dowload movie RAAJNEETHI and movie review


RAJNEETI PORTRAYS the battle for political supremacy in the Pratap family. The film is like Mahabharata, wherein Duryodhan considered to be the rightful heir of the Kuru legacy has to fight within the family as he has to compete with Pandavs.

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Similarly in Prakash Jha's Rajneeti, Manoj Bajpayee, who is the son of a venerable politician feels sidelined after power shifts from his father, who suffers a paralytic stroke to his uncle. Bajpayee is not able to reconcile with the fact that he has been left behind in the shadows, whereas his cousins Arjun Rampal and Ranbir Kapoor grow in stature and influence.


To change the political equation, he reaches out to Ajay Devgun in order to neutralise his political opponents. However, the entry of Ranbir Kumar as Samar Pratap Singh, who comes on a vacation from New York changes the ballgame altogether. Ranbir guided by the veteran Nana Patekar has an ace up his sleeve for every political trick used by his opponents.

Rajneeti as a film speaks about the political system of India, how it operates, and how the dynasties perpetuate their political power. Rajneeti also depicts the saga of violence, betrayal, crime and use of money to secure power and pelf for oneself.

Ranbir Kapoor has delivered a powerful powerful performance as he learns the tricks of political trade faster than his rivals, much to their surprise and discomfiture. He has a lot of people including elder brother Arjun Rampal, his political mentor Nana Patekar and his childhood buddy Katrina Kaif to support him, but in a quintessential God Father style he plans and executes almost singlehandedly.

Rajneeti movie review: Raajneeti stars Ajay Devgan as Sooraj Kumar, Ranbir Kapoor as Samar Pratap, Katrina Kaif as Indu Pratap, Naseeruddin as Shah Bhaskar Sanyal, Nana Patekar as Brij Gopal, Arjun Rampal as Prithviraj Pratap and Manoj Bajpai as Veerendra Pratap. Directed by Prakash Jha; written by Anjum Rajabali and Prakash Jha; music by Wayne Sharpe; art director, Jayant Deshmukh; produced by Ronnie Screwvala and Prakash Jha; released by UTV Motion Pictures.

download of movie VEDAM ,and mp3 songs download


Director Krish bagged several awards for his debut film ‘Gamyam’. This made the audiences keep high expectations on his latest release ‘Vedam’ as this time he prepared a subject, which has a scope for two heroes and a heroine. Another interesting point in this film is that stylish star Allu Arjun, who has an image both among the masses as well as youth audiences, is starring in a mass character, while Manchu Manoj, son of Mohanbabu, has done the role of a rock star and Anushka appears as a prostitute. The Telugu audiences, who are craving for a multi-starrer, eagerly looked forward for the film. The film has given them an experience of watching a Hollywood film with gripping screenplay and five different stories that run simultaneously.

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Buzz up!
Vijay Chakravarthy (Manchu Manoj) is the son of a Major and grandson of a Captain who have sacrificed their lives for the country. But Vijay does not want to join Army and he wants to become a rock star and starts a rock band. He gets an opportunity to play live in Hyderabad. He misses the flight and sets off to Hyderabad from Bangalore via road in a vehicle along with his troupe.


A handloom weaver Ramulu (Nagayya) borrows money from a private moneylender. He sells off his kidney and returns the principal. The lender takes away his grandson as he does not repay the interest. So, he decides to sell his daughter’s kidney for Rs 40,000 and go to Hyderabad and gets back his grandson.

Saroja (Anushka) is a prostitute, who stays in a brothel. In order to get away from there and launch her own brothel company, she reaches Hyderabad and gets caught by the police. Saroja’s friend suffers a stab injury in one incident and she takes her to hospital.

Cable Raju (Allu Arjun) stays in a slum in Hyderabad. However, he has fluency in English and can grab the attention of Deepa (Deeksha Seth), daughter of a millionaire, by pretending that he is also a rich man. Deepa wants to introduce Raju to her parents in a New Year party and wants two passes for the bash. The premier party charges Rs 40,000 for a couple and Raju set off to earn that money. Unable to get the money from any other source, he decides to go for chain-snatching. All his efforts prove futile.

Noticing that Ramulu has Rs 40,000 with him, Raju follows him and snatches away the money from him. But Raju realises his folly and confesses it to Deepa that he is not a rich man and only a worker in a slum. He returns money to Ramulu. Vijay, who is on his way to Hyderabad, notices a woman, who is badly injured in an accidents tries to rescue her by taking her to hospital. At this juncture, some terrorists capture the hospital and start indiscriminate firing killing scores of people. Raju and Vijay, who are there in the hospital, try to save as many patients and collect all of them in room. But they find the terrorist leader become a human bomb and want to blast the entire building and to save the innocent lives, they push him out of the hospital and die in the blast along with the terrorist. Thus they become immortal in the hearts of people, despite doing wrong things in their lives earlier. Saroja too wanted to lead a normal life instead of returning to prostitution in the climax.

PLUS: All the characters in the film have equal importance. Though Manoj has a less footage when compared with Allu Arjun, his character would make an impact on the minds of audiences. Though he appears in few scenes, Manoj shows energy in them. Definitely the film would earn him the name that he is a very good artiste. Arjun has also given a good performance and the director has etched the character with different shades and Arjun has given a matured performance in this film. The emotions in the character vary from scene to scene and Arjun emotes excellently in every frame. Anushka has also given a sizzling performance. Without resorting to any kind of exposing, she shows the exact oomph in the character as a prostitute at the same time. She has a chance to perform in a couple of scenes.

The highlight of the film is the gripping story, excellent screenplay and the punch dialogues. Incidentally, all these departments are handled by the director Krish himself, who does not lose grip on the subject or screenplay and he perfectly runs the five different stories simultaneously by balancing each and every story and culminating of all the characters in different stories into one in the climax. Music by Keeravani is another asset for the film. The timing of songs is very good and the director placed the songs perfectly at necessary places. Definitely, the film would earn a critical acclaim because of the gripping subject and fantastic screenplay.

MINUS: The common and mass audiences could not understand the story because of its clumsy nature. They get confused why Manoj become furious at the lorry driver and they could realise only a little later that despite being chased, he comes to his rescue and make him learn the value of life, which becomes useful in the climax. But common audiences cannot digest such a clumsy scene. Lack of duets, interesting fights and action scenes, foreign locales, and the tragic climax, may prove obstacles for the commercial success of the film.

ANALYSIS: The movie shows the taste of producers in making a meaningful movie and they are just not after profits. The first half of the film is entertaining and the second half raises the heartbeat and pulse rate of the audiences with each passing minute. The producer and director should be complimented for taking such a subject especially with a commercial hero like Arjun and glamorous star Anushka, besides Manchu Manoj.

Cast: Allu Arjun, Manchu Manoj, Anushka, Lekha Washington, Deeksha Seth, Siya Gautham, Manoj Bajpai, Nagayya, Pruthvi, Posani Krishnamurali, Saranya, Brahmanandam, Raghu Babu, Ravi Prakash, Satyam Rajesh and others.

Credits: Music - MM Keeravani, Lyrics - Sirivennela Seetarama Sastry, Sahiti, E S Murthy and Keeravani, Camera – VS Gnanasekhar, Editing – Sravan, Action – Ram, Lakshman, Art – Rajiv Nayar, Producers – Devineni Prasad and Yarlagada Sobhu, Story, screenplay, dialogues and direction – Jagarlamudi Radhakrishna @ Krish

SIMHA MOVIE DOWNLOAD AUDIO SONGS AND FULL LENGTH MOVIE FOR FREE


Director Boyapati Sreenu, who had given two action films with a sentiment touch like Tulasi and Bhadra has once again tried his hand on action-packed drama
with Balakrishna as hero. No doubt, the Simha is better than the recent duds of Balayya, and at the same time the film has nothing new in the subject but a complete beaten track. The director has made use of all the cinematic liberties in running the story with the hero and in the flashback his father, hacking as many as some 400 to 500 people either with a punch / sword or a hunting sickle.

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Buzz up!
Srimannarayana (Balakrishna) is a professor in a college. He doesn’t allow injustice before his eyes. Janaki (Sneha Ullal) joins the college. Once some goons try to abduct her but Srimannarayana saves her. She falls in love with him in no time. Incidentally, Janaki is none other than his sister-in-law and on one occasion, Srimannarayana comes to know from his granny (KR Vijaya) that he belongs to the Bobbili clan.


His father Dr Narasimha (Balakrishna) is a saviour of poor. He could perform surgery to save life and he could also hack people if they do wrong. Unfortunately, two sons of a local mafia leader Veerakesavudu (Aditya Menon) die in the hands of Dr Narasimha for their excesses and in revenge Veerakesavudu kills both Dr Narasimha and his wife Savitri (Nayanatara). Before his death, Veerakesavudu tastes the punch of Dr Narasimha and goes into comma. Will he gain his consciousness ? Will Srimannarayana goes to village? Will he marry Janaki? What happens next will form the interesting part of the movie.

PERFORMANCE:
Balakrishna, after a long time, has given energetic performance . He played dual roles as father and son. He excelled in both the roles. However, ageing is clearly visible during close-up shots. However, director ensured to elevate both the characters with equal ease. Sneha Ullal is okay for looks but she still needs to improve her acting skills. Especially, she should be more cautious on her lip sync. Namitha played another glamorous role in the film. But she appeared quite bulky despite showing her oomph. She is yet to realise the fact that she has to shed the fat. KR Vijaya was the perfect choice for the grandmother’s role and she lived in the character and did complete justice to her role. Aditya Menon and Malayalam artiste Saikumar showed good screen presence. Rahman is okay as Balakrishna’s brother-in-law. Nayanatara, though had a very small role in the film, is okay in her character. Comedy by Krishna Bhagawan, Ali, Venumadhav is just average and literally they failed to tickle the funny bones.

TECHNICAL:
Chakri has composed melodious tunes to all the songs, though they remind us of 80s and 90s Songs. Choreography of all the songs is okay and Balakrishna tried to prove that he could compete with Junior NTR in dances by trying some innovate steps. Action by Ram-Lakshman and Stun Siva is fine. Especially the chase scenes, the scenes that relate to hero bashing the villains and the gory killings were perfectly shot. Background score by Chinna is good and elevated the mood in many scenes. Camera by Arthur Wilson is good while art by AS Prakash is laudable. Editing by Kotagiri Venkateswara Rao should have a little more sharp. Though the first half is okay, it appeared a little stretched. However, the action scenes in the second half made the audiences ignore the stretching of scenes to some extent. Director Boyapati Sreenu, who penned the screenplay and dialogues for the film besides providing story, had perfect grip on the entire subject, though the narration appeared old fashioned.

REMARKS:
It appears that two scenes were lifted from the blockbuster Magadheera, where the hero kills 100 soldiers single-handedly. Even in this film, the hero kills many goons as the heroine wishes that she wants to see everyone dead before her death in the flashback scene and it repeats in the climax scene as well. The film also have some punching dialogues. The film is a nice watch for those who love Balakrishna and his fans.

Cast: Balakrishna, Nayanatara, Namitha, Sneha Ullal, Saikumar (Malayalam artiste), Hemant, Rahman, Sravan, GV, Kota Srinivasa Rao, Dharmavarapu Subrahmanyam, Brahmanandam, Ali, Krishna Bhagawan, Venumadhav, LB Sriram, Aditya Menon, Vinod, Ananda Bharati, KR Vijaya, Sairabanu, Jhansi, Sana, Kinnera and others.

Credits: Music – Chakri, Background score – Chinna, Camera – Arthur Wilson, Editing – Kotagiri Venkateswara Rao, Art – A S Prakash, Choreography – Prem Rakshit, Action – Ram Laxman, Stun Siva, Executive Producer – B Mahendrababu, Presents - Paruchuri Sivarama Prasad, Producer – Paruchuri Kireeti, Story, dialogues, screenplay and direction – Boyapati Sreenu.